Georgia o keeffe

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O'Keeffe was initially attracted to flowers due to their intricate forms and colors. She experimented with forms and approaches before settling on a close-up approach in depicting them, which brought out the delicate details and forms of each flower.  Georgia O'Keeffe. Calla Lilies, 1924. Oil on canvas. Private collection. © Georgia O'Keeffe Museum Georgia O'keefe Art, Georgia O Keeffe Paintings, Weisman Art Museum, O Keeffe Paintings, Georgia Okeefe, Foto Transfer, Summer Color Palette, Georgia O Keeffe, O Keeffe

O'Keeffe was initially attracted to flowers due to their intricate forms and colors. She experimented with forms and approaches before settling on a close-up approach in depicting them, which brought out the delicate details and forms of each flower. Georgia O'Keeffe. Calla Lilies, 1924. Oil on canvas. Private collection. © Georgia O'Keeffe Museum

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Flower Abstraction is among the earliest of Georgia O’Keeffe’s large-scale flower paintings, which she continued to produce through the 1950s. In these paintings, O’Keeffe harnessed the technique of close cropping that she had learned from modernist photography, especially the work of Paul Strand, with her own pictorial vocabulary of undulating forms and soft gradations of tone. In this way, she transformed her botanical subjects into compositions that oscillate between abstraction and represent Georgia O'keefe Art, Georgia O Keeffe Paintings, O Keeffe Paintings, Georgia Okeefe, Georgia O Keeffe, O Keeffe, Painting Medium, Whitney Museum, Floral Image

Flower Abstraction is among the earliest of Georgia O’Keeffe’s large-scale flower paintings, which she continued to produce through the 1950s. In these paintings, O’Keeffe harnessed the technique of close cropping that she had learned from modernist photography, especially the work of Paul Strand, with her own pictorial vocabulary of undulating forms and soft gradations of tone. In this way, she transformed her botanical subjects into compositions that oscillate between abstraction and…

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